
Finally, the day to watch it be torn, trampled, and trashed. The "impatience" is waiting- stands proudly as it witnesses the beauty of slowly passing. In recent years, Kelly's work has navigated the space between reality and unreality, using emotion as the bridge between the two. Through emotional memory, she offers a different perspective on life—one rooted in the concept of "hope." This hope, however, is often obstructed by emotional barriers that hold us back. It is human nature to retreat when unable to escape overwhelming feelings. Yet, in the realm of art, one can learn to "discard" emotions to focus on the "moments" of life. By amplifying subtle emotions, Kelly uncovers a different form of happiness—one without purpose, cause, or origin. This is the trigger and feeling her work hopes to evoke.
终于等到这一天 —— 看它被撕碎、被践踏、被丢弃。那份 “迫不及待” 仍在等待着,傲然矗立,见证着时光缓缓流逝的美好。 近年来,张钧的作品游走于现实与虚幻之间,以情感为桥,连接起两个世界。她借助情感记忆,为生活提供了一种别样视角 —— 一种植根于 “希望” 理念的视角。然而,这份希望常被阻碍我们前行的情感壁垒所遮蔽。当无法摆脱汹涌的情绪时,人总会本能地退缩。但在艺术的领域里,我们却能学会 “卸下” 情绪,专注于生活中的那些 “瞬间”。 通过放大细微的情感,张钧发掘出一种别样的幸福 —— 它无关目的,不问缘由,亦无源头可循。这正是她的作品希望唤醒的触动与感受。