
In Myth of the Motherland, Zhao merges abstraction with the faint outlines of human and mythological forms, creating an image that feels both ancient and futuristic. The blurred figures and flowing pigments evoke memories of lost civilizations, where history, imagination, and longing converge. The work reflects the artist’s meditation on cultural identity — how myth becomes a vessel for exile and return.
《故国神话》融合抽象与人物、神话意象的隐约轮廓,呈现出一种既古老又未来的视觉张力。画面中流动的色彩与模糊的形象,唤起对失落文明的记忆,在历史、想象与乡愁之间交织。作品体现了艺术家对文化身份的思索——神话成为流亡与归乡的隐喻。