It  features contemporary Chinese ink wash painting in the freehand brushwork  style, adhering to the Eastern philosophical concept of "Dao follows  nature" (Tao follows nature). It depicts visible objects through the  invisible "Dao" (Tao), where ink and water collide and flow freely  to form unexpected shapes. Integrating the collage technique, it incorporates  the color elements of the over-2,000-year-old Qiuci culture from Xinjiang,  China. Blending traditional ink wash with contemporary abstract expression,  it embodies the idea that "brushwork should keep pace with the  times" — retaining the essence of traditional ink wash while presenting  innovative forms.