In the  Longmen Caves, Stone Chun Shi reimagines one of the most significant  monuments ofChinese civilization through his unique Stonecube language — a  visual system born from thestructure of Chinese calligraphy and the  philosophy of energy as form.The work does not depict the grottoes directly;  instead, it channels their spiritual vibration.Thousands of micro-cubes  emerge from darkness and light, creating a chromatic field where stone  breathes, and consciousness flows.The title “1720” is not a historical number  but anenergy frequency — the vibration of devotion carved into time.This  painting is part of Stone’s ongoing exploration of how ancient sacred spaces  can be reactivated through contemporary abstraction. By transforming the  meditative rhythm of calligraphic strokes into color blocks, he fuses  Buddhist silence, architectural order, and living    energy, bridging the spiritual pulse of the past with the consciousness of  the present.