
The triptych Heaven, Earth, and Humanity reflects Xu Xiaoping’s meditative exploration of the relationship between man and nature — a dialogue between the cosmic and the personal, the eternal and the momentary.The first painting, Heaven, begins with circular gestures, symbolizing the vastness of the cosmos and the spiritual expanse of the sky. The broad strokes carve out a sense of infinite space — the birth of the universe.
《天·地·人》三部曲展现了艺术家对“天人关系”的思索,是人与自然、宇宙与个体之间的精神对话。 第一幅《天》,以天圆为象,大手笔挥洒出宇宙星空的辽阔,象征天地初开、万物之源。