“Departure”  is a work extremely rich in tension, as it explores the visualization of      Eastern philosophy. The surface of the work is covered with strong  collisions of red marks that go off in their own directions and interweave in  layers. A dynamic visual structure is created, as if the interior of the  painting is undergoing simultaneous     tearing, conflict and fusion. The overall image appears split up but is  actually reaching an internal cohesion—this kind of “combined force within  dislocation” encompasses the investigative line of thinking the artist takes  on in contemplating the relationship between “departure” and “unity.”